图片文件尺寸 : 4765 x 4768px
弗拉基米尔·韦利科维奇 溜槽
2.
弗拉基米尔·韦利科维奇 退出-图十九 高清作品[99%]
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弗拉基米尔·韦利科维奇 下降-图XI 高清作品[98%]
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克里斯蒂安·罗尔夫斯的《利根特·韦利切·吕克特》 高清作品[96%]
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克里斯蒂安·罗尔夫斯的《利根特·韦利切·吕克特》-Christian Rohlfs
躺着的女性裸背-Christian Rohlfs (德国, 1849-1938)
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克里斯蒂安·罗尔夫斯的《利根特·韦利切·吕克特》 高清作品[96%]
图片文件尺寸 : 4846 x 3686px
克里斯蒂安·罗尔夫斯的《利根特·韦利切·吕克特》-Christian Rohlfs
Liegender Weiblicher Rückenakt--Christian Rohlfs (德国, 1849-1938)
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雅克·韦利（Jacques Wély）的《年轻的妈妈和打球女孩》（Young mother with ball playing girl） 高清作品[91%]
图片文件尺寸 : 4758 x 6289px
雅克·韦利（Jacques Wély）的《年轻的妈妈和打球女孩》（Young mother with ball playing girl）-Jacques Wély
年轻的妈妈和打球的女孩--Jacques Wély (法国, 1873-1910)
下载雅克·韦利（Jacques Wély）的《年轻的妈妈和打球女孩》（Young mother with ball playing girl）大图
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塞韦利诺，马尔科·奥利奥。1580–1656. 蟒蛇。ID来自Viperae Natura，毒药，医学演示和实验新星。帕多瓦：保罗·弗拉姆博蒂，1651年。 高清作品[82%]
图片文件尺寸 : 4121 x 5889px
SEVERINO, MARCO AURELIO. 1580-1656.:Vipera Pythia. Id est de viperae natura, veneno, medicina demonstrationes et experimenta nova. Padua: Paulo Frambotti, 1651.
4to (200 x 145 mm). Engraved portrait frontispiece, 20 full-page and 4 small engraved illustrations in text. Contemporary speckled calf, rebacked retaining original covers and spine. Lacking additional engraved title page and final blank, inked annotations on front fly-leaf, some ink underlining, browning, especially to frontispiece.
Second edition, published a year after the first, of this work on the toxic effect of vipers. Severino argued, among other things, that the magnetic effect of music could act as cure. A number of the plates have a mythological theme. Nissen 3829; Osler 3961; Waller 8893.
塞韦利诺，马尔科·奥利奥。1580–1656. 蟒蛇。ID来自Viperae Natura，毒药，医学演示和实验新星。帕多瓦：保罗·弗拉姆博蒂，1651年。
下载塞韦利诺，马尔科·奥利奥。1580–1656. 蟒蛇。ID来自Viperae Natura，毒药，医学演示和实验新星。帕多瓦：保罗·弗拉姆博蒂，1651年。大图
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安杰洛·萨韦利 高清作品[78%]
图片文件像素：4956 x 4842 px
安杰洛·萨韦利-
Angelo Savelli * - Zeitgenössische Kunst I-
(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed
This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity
Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection
Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.
Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.
Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.
Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.
His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.
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文艺复兴早期艺术家大全 – 文艺复兴早期都有哪些画家？ 高清作品[2%]
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